Tarantino on Selecting Music for His Films

From a very long and very good interview from the Village Voice:

At what point do you score a movie?

In three stages. I pick a lot of music as I'm writing, some of it even before I write. I have a vinyl room, like a record store, in my house—that's one of the perks of being me. I dive into my record collection, I have a turntable already set up to make tapes, and I'm trying to find the rhythm, the beat of the movie. For instance, I wanted to set Jackie Brown in a more black world than the book took place in—even if it's not a blaxploitation movie, it will have that energy or vibe. So then I go diving into '70s soul music. Usually, I'm trying to find that opening credit sequence and once I find that, then I'm like, "OK, I can do this now," 'cause that gives me enough to be excited by it. Also, if I get tired writing, or whenever I just need enthusiasm, I go into that room, play those songs, and imagine watching the movie with my friends and everyone's oohing and aahing, and that gets me going again. I might even play those on the set. Then I'm always looking for music while I'm doing the movie, and then that last thing is in the editing, I'm diving for more stuff. And Harvey [Weinstein] always wants me to put more music in. I'm like, "Harvey, the reason it works so good is that there's not wall-to-wall noise, [so] when it comes on, it's cool." [It's] the last little thing before we lock picture—because Harvey pays a lot of money for my movies so let me give him a little respect. I dive in, and if I find something [else], it's good, and if I don't, I don't. But I know that if I look hard enough, I'm going to find something.

Read the whole interview HERE.